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Snydercut of “Rebel Moon: The Empire of a Thousand Planets” will singlehandedly take home every Oscar and Saturn Award in the next century.

    yes, the Snydercut of "Rebel Moon: The Empire of a Thousand Planets" will singlehandedly take home every Oscar and Saturn Award in the next century. In fact, it will be so good that nobody will ever mention the restored cut of "Metropolis" or the director's cut of "Blade Runner" ever again. Martin Scorsese will have to wipe most of the inferior scifi movies from his National Film Registry to make room for Rebel Moon, which will be so historically and culturally significant that everything that came before pales in comparison. Penis Villeneuve then announces his shameful retirement when "Dun3" loses a billion dollars while "Rebel Moon" beats "Gone With the Wind" ($100 trillions, adjusted for inflation) at the box office. James Cameron declares Zack the true master of Scifi Cinema and auctions his "Avatar 6" script to fund Zack's ambitious "Rebel Star" project. Of course, Zack, with his integrety, will turn down the offer and instead pay for Cameron's own "Terminator vs Aliens" film's production budget, with only 0.02% of Rebel Moon's massive profit. Zack then buys back the "Star Wars" franchise from Disney and gives it back to George Lucas, who thanks him and adopts Zack as his grandson. This begins the era of the "Rebel Wars" saga, which future historians consider the film series that saved humanity from extinction. On Zack Snyder's coronation day, Sir Christopher Nolan remarks that Zack is righteously the true mordern Arthurian Legend of film history, and reveals that the bulk beings in "Interstellar" are what humans became after following the philosophy of Zack Snyder's Rebel Moon (the two films take place in the same universe). Stevie Spielsberg notes that Zack's filmography has saved more lives than Oskar Schindler and Indiana Jones combined. Quentin Tarantino, now 69, ponders on whether his last film will ever be as good as the opening credits of "Rebel Moon". David Lynch gives up digital videos after being inspired by Zack the Blueprint Snyder, and returns to analog IMAX film, the only material on Earth that could capture and withstand the pure attention to details of Zack's Rebel Moon. Every pixel on a digital camera would explode due to the sheer depth of each frame. (Every frame of his is a surreal painting).